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  <url>
    <loc>https://www.richardjneedham.com/one</loc>
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    <lastmod>2022-03-09</lastmod>
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      <image:title>Camera</image:title>
      <image:caption>Left and right; Photographs of still images taken from Dancer hang on a New York City street to promote a gallery show. We filmed Dancer in Miami with a super 16mm Bolex. The film is a series of vignettes in which performers, professional and amateur move through public spaces as the backdrop. I don’t know whether it’s true but I’ve heard that Dancer was the inspiration for Pharrel’s 24-hour Happy music video.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/694a4704-c322-4f96-af65-b730e535b2e4/526_5-Dara-Friedman-Gavin-Brown-s-enterprise.jpg</image:loc>
      <image:title>Camera</image:title>
      <image:caption>Images left and right courtesy, Dara Friedman and Gavin Brown’s Enterprise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/6ef3c5bb-c9b6-4038-8432-11e8fbe952ac/3952_content_dancer.jpg</image:loc>
      <image:title>Camera</image:title>
      <image:caption>More frame grabs from Dancer, 2012 ©Dara Friedman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/e17f0008-70a9-4dfd-b620-76d860175cb3/6707_8-Dara-Friedman-Supportico-Lopez.jpg</image:loc>
      <image:title>Camera</image:title>
      <image:caption>Installation: Dara Friedman’s Dichter, 2017 courtesy the artist and Gallery Supportico Lopez, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/136d4754-ec19-476a-ac79-4e49032c4aed/Screen+Shot+2022-03-05+at+2.36.30+PM.jpg</image:loc>
      <image:title>Camera - Still Camera</image:title>
      <image:caption>The focus of my work is documentary video and film but I also shoot stills. While the disciplines are different, I learn storytelling from both formats, working to capture the unique spirit of people and places.</image:caption>
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  <url>
    <loc>https://www.richardjneedham.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/540fa24e-ca12-4bd4-b4f5-f273cb81a229/Mother+Drum+Shoot.jpg</image:loc>
      <image:title>About - Hi! As you may have already guessed, my name is Richard Needham. I’m a documentary producer, editor, and cameraman. Thanks for dropping in and welcome. I trained in theater at Wake Forest University in North Carolina where I was lucky enough to learn from Maya Angelou, James Dodding, and Marcel Marceau, and, later, I moved on to film. I earned my M.F.A in film from the University of Miami School of Communications.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/2fb64c18-8da1-42e8-bc43-8c19ae9d1750/32423156_1659381924181814_6903906967631167488_n.jpg</image:loc>
      <image:title>About - Early on I worked in music videos, commercials, and narrative films. Later, after working on Kevin Macdonald’s Academy Award-winning documentary, “One Day in September,” I began to work in the genre myself.  At Kevin’s suggestion, I produced a full-length documentary film of my own, “The Ticket,” which is about lottery winners and the people who surround them. Subsequent projects have included traveling to Mongolia 5 times to cover the impact of mining on nomadic cultures, saving the Tsaatan way of life, and to support the delivery of modern prosthetics to amputees in UlaanBaatar.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/4dc6b8a4-1eb8-4270-b7b4-9e42178eb092/FightTempleDoor-rafaeldalo-01.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>If anything sums up my work, perhaps it is that I like to discover and share “happenings,” spontaneous events that happen only once like acts of theater. There may be a plan in place but then having the opportunity to play around in real-time is very much where I feel at home. This is perhaps most encapsulated in the camera work that I do for artist Dara Friedman, whom I met in film school. At this point, I have worked on about 15 of Dara’s films, which have been exhibited around the world.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardjneedham.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-02</lastmod>
  </url>
  <url>
    <loc>https://www.richardjneedham.com/two</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2022-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/621f7ad7ffcf7e3b5ab5207e/64e3d2bc-3d8f-4713-b7f1-393d017440aa/Reindeer+settle+in+for+the+night.jpg</image:loc>
      <image:title>Home - “What you do makes a difference, and you have to decide what kind of difference you want to make.”</image:title>
      <image:caption>Reindeer settle down for the night at a Tsaatan summer camp, Mongolia Photo © Richard Needham 2013</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.richardjneedham.com/filmography</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-09</lastmod>
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